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The Divine Comedy

Audiobook
0 of 3 copies available
Wait time: About 6 weeks
0 of 3 copies available
Wait time: About 6 weeks

Dante’s vision, The Divine Comedy, has profoundly affected every generation since it first appeared in the early 14th century. The box set contains the trilogy of The Inferno, Purgatory and Paradise, plus a biography of Dante – A Life of Dante – which puts the very personal nature of his poetry into perspective.

Unabridged in a new translation by Benedict Flynn

The Inferno

“Abandon all hope you who enter here”
(Lasciate ogne speranza voi ch’intrate)

Dante’s Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism. Passing under a lintel emblazoned with these frightening words, the poet is lead down into the depths by Virgil and shown those doomed to suffer eternal torment for vices exhibited and sins committed on earth.

Inferno is the first part of the long journey which continues through redemption to revelation – through Purgatory and Paradise – and, in this translation prepared especially for audiobook, his images are as vivid as when the poem was first written in the early years of the 14th century.

Music: Chominciamento Di Gioia

Purgatory

“Now of that second kingdom I shall sing where human souls are purified of sin and made worthy to ascend to Heaven”

Purgatory is the second part of Dante’s The Divine Comedy. We find the Poet, with his guide Virgil,ascending the terraces of the Mount of Purgatory inhabited by those doing penance to expiate their sins on earth. There are the proud – forced to circle their terrace for aeons bent double in humility; the slothful – running around crying out examples of zeal and sloth; while the lustful are purged by fire. 

Though less well-known than Inferno, Purgatory has inspired many writers including,in our century, Samuel Beckett, and has played a key role in literature.

Music: Chominciamento Di Gioia

Paradise

“I have been in the Heaven that takes up most of his light, and saw things there that those who descend from that height cannot speak of or forget…”

Led by his guide Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church.

The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court – the angels, the Blessed Virgin and God Himself.

Music: Hildegard von Bingen, Machaut, Gregorian Chant.

A Life of Dante

Dante's vision, "The Divine Comedy", has profoundly affected every generation since it first appeared in the early 14th century. Here is a brief account of his life, compiled from various sources (including his first biographer, Boccaccio) by Benedict Flynn, whose new translation of the Comedy, on Naxos AudioBooks, read by Heathcote Williams, has been widely acclaimed. It sets the known facts of Dante's life against the turmoil of the times, and puts the very personal nature of his poetry into perspective.

Music: Medieval Italian music

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  • Reviews

    • AudioFile Magazine
      Heathcote Williams enters into this new translation of Dante's masterpiece with almost as much enthusiasm as did Dante himself. Whether the souls Dante meets in the Inferno are tortured by cold, fire, their own fingernails, or just longing, Williams manages to make their pain come to life. His reading is so dramatic and so individualized that it feels more like a full-cast production than a solo reading, especially with the accompanying music, which both sets the mood and provides transitions. Indeed, if there's a weakness to this performance, it's that Williams's voice ranges through such extremes of volume and projection that it's hard to know where to set one's volume controls. A one-disc biography of Dante read by John Shrapnel accompanies the production. Shrapnel's voice is full of sympathy over Dante's exile, but his primary quality as a reader is intense clarity; he handles complex political explanations smoothly and seems at ease with the Italian. G.T.B. (c) AudioFile 2005, Portland, Maine
    • Publisher's Weekly

      April 15, 2013
      Do we really need yet another translation of Dante’s world-famous journey through the three parts of the Catholic afterlife? We might, if the translator is both as eminent, and as skillful, as Clive James: the Australian-born, London-based TV personality, cultural critic, poet and memoirist (Opal Sunset) is one of the most recognizable writers in Britain. James’s own poetry has been fluent, moving, sometimes funny, but it would not augur the kind of fire his Dante displays. Over decades (in part as an homage to his Dante-scholar wife, Prue Shaw), James has worked to turn Dante’s Italian, with its signature three-part rhymes, into clean English pentameter quatrains, and to produce a Dante that could eschew footnotes, by incorporating everything modern readers needed to know into the verse—from the mythological anti-heroes of Hell through the Florentine politics, medieval astronomy, and theology of Heaven. Sometimes these lines are sharply beautiful too: souls in Purgatory “had their eyelids stitched with iron wire/ Like untamed falcons.” Even in Heaven, notoriously hard to animate, James keeps things clear and easy to follow, if at times pedestrian in his language: “I want to fill your bare mind with a blaze/ Of living light that sparkles in your eyes,” says Dante’s Beatrice, and if the individual phrases do not always sparkle, it is a wonder to see the light cast by the whole.

    • AudioFile Magazine
      When Dante loses his way on the path of life, he finds himself on a journey through hell, purgatory, and heaven. Just as the poet Virgil and his beloved Beatrice lead Dante through the afterlife, narrator Pam Ward takes the listeners through the awe-inspiring cantos of this work. She gives voice to the array of characters, skillfully portraying both tortured souls and angelic spirits. Ward especially conjures the sorrow in THE INFERNO in her delivery of the dialogue between Dante and those suffering. One can hear the pain in their voices. Virgil speaks in a grave, raspy voice that simultaneously expresses his wise yet burdened awareness. Ward relishes the poetic language, reading clearly and emphatically. This brilliant work could prove daunting to any narrator, but Ward tackles it with grace and alacrity. D.M.W. (c) AudioFile 2009, Portland, Maine

Formats

  • OverDrive Listen audiobook

Languages

  • English

Levels

  • Lexile® Measure:1270
  • Text Difficulty:10-12

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