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One! Hundred! Demons!

ebook
0 of 1 copy available
Wait time: About 4 weeks
0 of 1 copy available
Wait time: About 4 weeks
"You'll wonder how anything can be so sad and so funny at the same time."—Lev Grossman, Time Inspired by a sixteenth-century Zen monk's painting of a hundred demons chasing each other across a long scroll, acclaimed cartoonist Lynda Barry confronts various demons from her life in seventeen full-color vignettes. In Barry's hand, demons are the life moments that haunt you, form you, and stay with you: your worst boyfriend; kickball games on a warm summer night; watching your baby brother dance; the smell of various houses in the neighborhood you grew up in; or the day you realize your childhood is long behind you and you are officially a teenager. As a cartoonist, Lynda Barry has the innate ability to zero in on the essence of truth, a magical quality that has made her book One! Hundred! Demons! an enduring classic of the early twenty-first century. In the book's intro, however, Barry throws the idea of truth out of the window by asking the reader to decide if fiction can have truth and if autobiography can have a fiction, a hybrid that Barry coins "autobiofictionalography." As readers get to know Barry's demons, they realize that the actual truth no longer matters because the universality of Barry's comics, true or untrue, reigns supreme.
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    • Publisher's Weekly

      Starred review from May 15, 2017
      Barry is up-front about the messy nature of memoir in this reissue of what is perhaps her masterpiece: “Please note: This is a work of autobifictionalography.” Drawn and painted with exuberant colors and florid emotions and inspired by a Zen painting exercise, the stories are taken mostly from her childhood and frequently play with the limits of memory. Awkwardness, anxiety, and isolation thrum throughout as Barry tangles with the conjured demons of her childhood, which include lousy relationships, an ever-critical mother, and risky experimentation at an early age. Barry’s raw, monster-haunted memories are often painful. But she tempers them with night-scented nostalgia and wry humor that can disarm readers just in time for the occasional gut-punch that’s all the rougher for being so straightforward: “When I was still little, bad things had gone on, things too awful to remember.” Barry’s visually jazzy panels are crowded with yearning to put together the scattered pieces of the past but also the knowledge that such a rescue mission may not be possible. This is a book with subtle power; readers may well end up in tears, but they might not be able to say why.

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  • English

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