Music Theory

I have encountered inconsistencies in musical jargon like the "power chord", for example C5 to mean (notes c and g) or the use of sharp 5th written +5, etc. And I would like to clarify them in this book. And I also would like to adress certain patterns already used by expounding more on their creative side. There are also patterns that are useful which could help young musicians develop their skills exponentially. I'm aware that not all musicians would agree with me on the importance of theory. This book is my personal guide to my compositional skill and to enhance my performance in cases of impromptu and spontaneous expression in music. I hope this will help you improve in your playing.