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In Search of the Color Purple

The Story of Alice Walker's Masterpiece

#2 in series

Audiobook
1 of 1 copy available
1 of 1 copy available
Alice Walker made history in 1982 when she became the first black woman to win the Pulitzer Prize and the National Book Award, both for The Color Purple. Published in the Reagan Era amid a severe backlash to civil rights, the jazz-age novel tells the story of an African-American woman haunted by domestic and sexual violence. Prominent academic and activist Salamishah Tillet combines cultural criticism, history, and memoir to explore Walker's epistolary novel, showing how it has influenced and been informed by the zeitgeist of the time. The Color Purple received both praise and criticism upon publication, and the conversation it sparked around race and gender still continues today. It has been adapted for an Oscar-nominated film and a hit Broadway musical. Through interviews with Walker, Oprah Winfrey, Quincy Jones, and others, as well as archival research, Tillet studies Walker's life and the origins of her subjects, including violence, sexuality, gender, and politics. Reading The Color Purple at age fifteen was a groundbreaking experience for Tillet. It continues to resonate with her—as a sexual-violence survivor, as a teacher of the novel, and as an accomplished academic. Provocative and personal, In Search of the Color Purple is a bold work from an important public intellectual.
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    • Publisher's Weekly

      January 11, 2021
      Tillet (Sites of Slavery), New York Times critic-at-large, surveys nearly 40 years of cultural grappling in this insightful account of Alice Walker’s 1982 novel The Color Purple. The novel became the first work by a Black woman to win the Pulitzer Prize for Fiction, and Tillet recounts the novel’s history, covering the controversy it stirred up when published, notably for its “use of a black dialect and its celebration of lesbianism.” Walker later came under fire, as well, for allowing the movie adaptation to be put in white hands. (Steven Spielberg directed it.) In addition to the history, Tillet mixes in her own experiences: “The novel’s main black women characters—Celie, Shug, and Sofia—have endured and emerged as guides that have imprinted themselves on me to help me heal,” she writes of returning to the novel after being sexually assaulted, struggling with an eating disorder, and contemplating suicide. Along the way, Tillet interviews Oprah Winfrey, who made her big-screen debut in the adaptation, and theater producer Scott Sanders, who persuaded Waters “that he, as a white, gay man from the Gulf Coast of Florida, was the right person to produce The Color Purple on Broadway.” Tillet’s passionate insights successfully imbue a classic novel with modern relevance.

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  • English

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