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All's Well That Ends Well

Audiobook
1 of 1 copy available
1 of 1 copy available

ACT IScene 1. Bertram, the young Count of Rossillion, is leaving home to take his place at the court of the King of France, who is gravely ill. Bertram bids farewell to his mother the widowed Countess, her friend the old lord Lafew and the young and virtuous Helena, daugther of a famous doctor now deceased, who lives as a dependent in the old Countess' household. Helena is passionately in love with Bertram, though without hope because he is so far above her in birth. Parolles, a blustering soldier who has attached himself to Bertram, is also going to the French court and Helena determines to follow. She has learned the mysteries of medicine from her father; if she can cure the King, she may win Bertram's heart.Scene 2. The ailing King tells of war between the Florentines and Sienese; he will give permission to any young gentleman of France who wishes to go to Italy in search of glory. Bertram arrives and the King greets him warmly. Scene 3. The Countess gently forces Helena to admit her love for Bertram and reveal her plan to attempt the King's cure. The old lady kindly offers her support.

ACT IIScene 1. Lafew announces the arrival at court of a young woman who claims to be able to heal the King. The King is deeply skeptical, but Helena persuades him to allow her to make the attempt. Should she succeed, the King is to grant her the husband of her choice.Scene 2. The Countess' fool Lavatch is to be sent to the court. He claims that he has a response that will serve him in all social situations, but the Countess exposes his folly.Scene 3. Helena has restored the King to joyful health. He offers her the hand in marriage of any of the young lords at court, but when she chooses Bertram he recoils in horror. Angrily, the King commands Bertram to wed Helena instantly. The marriage takes place, but Bertram vows that he will never sleep with his bride and determines to steal away to the Italian wars at once.Scene 4. Helena receives a letter from Bertram telling her that he has been called away and ordering her to take leave of the King.Scene 5. Lafew warns Bertram that Parolles is a hollow sham. Helena enters and Bertram dismisses her curtly, instructing her to return to the Countess.

ACT IIIScene 1. The Duke of Florence prepares to welcome the young Frenchmen who come to fight on his behalf.Scene 2. Helena has received a letter from Bertram: until she can get the ring from his finger, which he has vowed never to remove, and produce a child that she has conceived by him, she will never be able to call him husband.Scene 3. The Duke of Florence, impressed by Bertram's military promise, has given him an important command. Scene 4. The Countess has received a letter from Helena telling her that she has gone on a pilgrimage to atone for her sin in aspiring to Bertram's love and freeing him from his responsibility for her. The Countess bitterly deplores her son's arrogance and blindness.Scene 5. Helena has come to Florence where she meets a kindly widow and her beautiful daughter, Diana. The widow tells her that Bertram has fought heroically in the war but also that he has been attempting to seduce Diana. Scene 6. The French soldiers hatch a plot to convince Bertram of Parolles' cowardliness; pretending to be enemy soldiers, they will capture him, then see if he is prepared to betray his friends.Scene 7. Helena, too, is setting a plot. Diana is to pretend to yield to Bertram's suit on condition that he give her his ring. She is then to agree to an assignation in the dark, at which Helena will take her place.

ACT IVScene 1. Parolles is "captured" according to plan. He immediately offers to betray the Florentines and is blindfolded and taken off for interrogation.Scene 2....

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    • AudioFile Magazine
      All the performances in this production are polished. It's a pure pleasure to hear the lines delivered for their meter still ring with emotion, and Emma Fielding is particularly strong as Helena. She manages to make listeners feel both the vulnerability and the strength of her badly treated character. However, the performance as a whole is not fully satisfying; too many of the play's high points depend upon deception, for example, the display of key items (like Bertram's ring) for the sight of the audience, or upon character reactions. Partially, this is due to the extreme faithfulness with which the stage version is adapted; a more liberal adaptation might have captured key points more successfully. G.T.B. (c) AudioFile 2003, Portland, Maine
    • AudioFile Magazine
      Having saved the French king's life, Helena is granted Bertrand as husband. But Bertrand is unwilling and flees. The scorned bride must win her husband by a ruse. This dour, uneven "comedy" never gained the popularity of the Bard's better efforts. Still, it has its charms, which the Arkangel cast does its best to emphasize. The pace never lags, the more dramatic moments work well, and the players are uniformly fine. Still, the jokes, such as they are, fall flat, Bertrand remains unredeemable, and Helena comes off whiny. The production is best enjoyed after reading the accompanying printed plot summary, for without it the action is a little muddy. Y.R. (c) AudioFile 2006, Portland, Maine

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