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Neon Vernacular

New and Selected Poems

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1 of 1 copy available
1 of 1 copy available

This Pulitzer Prize–winning collection pairs twelve new poems with work from seven previous volumes by “one of the most extraordinary poets writing today” (Kenyon Review).

The poetry of Yusef Komunyakaa traverses psychological and physical landscapes, mining personal memory to understand the historical and social contexts that shape experience. Neon Vernacular charts the development of his characteristic themes and concerns by gathering work from seven of his previous collections, along with a dozen new poems that continue the autobiographical trajectory of his previous collection, Magic City.

Here, Komunyakaa shares an intimate and evocative life journey, from his childhood in Bogalusa, Louisiana—once a center of Klan activity and later a focus of Civil Rights efforts—to his stormy relationship with his father, his high school football days, and his experience of the Vietnam War and his difficult return home. Many of the poems collected here are drawn from limited editions and are no longer available.
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    • Library Journal

      March 15, 1993
      This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, Komunyakaa enriches his poems with details: "His fingernails are black/ & torn from blows,/ as if the hammer/ declares its own angle of reference." Music has its special force with a rhythm that seems to enforce meaning: "Heartstring. Blessed wood/ and every moment the thing's made of:/ ball of fatback/ licked by fingers of fire." As an African American, Komunyakaa defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended for public and academic libraries. --Lenard D. Moore, United Arts Council of Raleigh & Wake Cty., N.C.

      Copyright 1993 Library Journal, LLC Used with permission.

    • Booklist

      March 15, 1993
      Selections from seven earlier books together with a dozen new poems make this a valuable addition to the contemporary poetry shelf. Komunyakaa is drawn to formal experiment. Many of his poems invent their natural form as they go along, and that form expresses the content; e.g., a compressed double-column of verse captures two women dancing together, a dimeter line draws in the blues in a "hoodoo chant." What remains most vivid in Komunyakaa's work, over his many collections, is his compassion, whether it be for a raped stepchild, a gangbanger, or even an enemy soldier. Collected, this work shows its strength. ((Reviewed Mar. 15, 1993)) (Reprinted with permission of Booklist, copyright 1993, American Library Association.)

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  • English

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