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The Afterlife is Letting Go

ebook
0 of 2 copies available
Wait time: About 6 weeks
0 of 2 copies available
Wait time: About 6 weeks

Chosen one of Booklist's TOP TEN History Books of the Year!

"The Afterlife Is Letting Go is a meditative consideration of Japanese American incarceration during WWII by Brandon Shimoda, author of the PEN Open Book Award–winning The Grave on the Wall."—Matt Seidel, Publishers Weekly's "Big Indie Books"

"Both personal and choral, The Afterlife is Letting Go is deeply felt, precise, and as generous in its insights as it is unsparing in its critiques of how 'exclusion zones' proliferate and reach across time and space. A stirring, trenchant, and necessary work."—Christina Sharpe, author of Ordinary Notes

In a series of reflective, multi-layered, sometimes multi-voiced essays, poet Brandon Shimoda explores the "afterlife" of the U.S. government's forced removal and mass incarceration of Japanese immigrants and Japanese Americans during WWII, excavating the ways these events continue to resonate today. What emerges is a panoramic, yet intimate portrait of intergenerational trauma and healing.

Informed by personal/familial history, years of research and travel, including visits to museums, memorials and the ruins of incarceration sites, these essays take us on both a physical and a metaphysical journey. What becomes increasingly clear are the infinite connections between the treatment of Japanese Americans and other forms of oppression, criminalization, dispossession, and state violence enacted by the United States, past, present, and ongoing.

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    • Publisher's Weekly

      October 21, 2024
      Poet Shimoda (Hydra Medusa) examines in these penetrating essays the ongoing fallout from the U.S. government’s mass incarceration of Japanese Americans during WWII. Drawing from his travels, research, and family history—Shimoda’s grandfather was among the incarcerated—the author posits that psychic damage from the period remains critically underexamined by survivors, their descendants, and the culture at large: “What does it mean for people to survive trauma, and how can anyone be sure that they have survived, rather than, more simply, not died?” Several essays turn outward for answers. “Stars Above the Ruins” weaves quotes from people who lived in the internment camps with those who’ve visited the sites more recently; “I See the Memory Outline” strings together hypothetical musings from Shimoda’s friends and relatives who’ve never been to the incarceration sites (“I imagine feeling haunted and suffocated”). Other essays—including the elegiac “Peace Plaza,” in which Shimoda visits San Francisco’s Japantown—skew inward, critically examining poems and films by Japanese Americans to help the author map the impact of the internment. With a steady hand and a poet’s knack for concision (“Japanese American Historical Plaza” simply lists every internment site and its location), Shimoda constructs an anguished archive of intergenerational pain.

    • Booklist

      Starred review from November 1, 2024
      In a book full of deeply devastating insights, one stands out. The Japanese American Historical Plaza in Portland, Oregon, lists the names of 10 concentration camps in which our own citizens were incarcerated. What if we took the time to list not just these but all "the detention centers and prisons and internment camps and labor camps and isolation centers and immigration stations and jails and hotels and hospitals where Japanese Americans were incarcerated?" asks Shimoda (The Grave on the Wall, 2019). He then lists each on page after page after deeply affecting page. There's something truly introspective about simply saying these names out loud and sitting with them. In a wrenching exercise to understand history and his own biracial ancestry, Shimoda visits the ruins of incarceration sites and connects with many descendants of the Japanese Americans whose lives were upended during WWII. Mere statistics are never enough to drive home the severity of a wound, especially one that impugns the moral fabric of a country that is supposedly a beacon for human rights. It's sobering that many of those Shimoda interviewed speak up at another time in which immigrants are painted anew as the terrifying "other." Tragic and illuminating.

      COPYRIGHT(2024) Booklist, ALL RIGHTS RESERVED.

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