Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

The Uncanny Muse

Music, Art, and Machines from Automata to AI

ebook
0 of 1 copy available
Wait time: About 4 weeks
0 of 1 copy available
Wait time: About 4 weeks

One of Literary Hub's Most Anticipated Books of 2025

An acclaimed critic, journalist, and songwriter-musician tells the story of art's relation to machines, from the Baroque period to the age of AI.

What does it mean to be human in a world where machines, too, can be artists? The Uncanny Muse explores the history of automation in the arts and delves into one of the most momentous and controversial aspects of AI: artificial creativity. The adoption of technology and machinery has long transformed the world, but as the potential for artificial intelligence expands, David Hajdu examines the new, increasingly urgent questions about technology's role in culture.

From the life-size mechanical doll that made headlines in Victorian London to the doll's modern AI–pop star counterpart, Hajdu traces the fascinating, varied ways in which inventors and artists have sought to emulate mental processes and mechanize creative production. For decades, machines and artists have engaged in expressing the human condition—along with the condition of living with machines—through player pianos, broadcasting technology, electric organs, digital movie effects, synthesizers, and motion capture. By communicating and informing human knowledge, the machines have exerted considerable influence on the history of art—and often more influence than humans have been willing to recognize. As Hajdu proclaims: "before machine learning, there was machine teaching."

With thoughtful, wide-ranging, and surprising turns from Berry Gordy and George Harrison to Andy Warhol and Stevie Wonder, David Hajdu takes a novel and contrarian approach: he sees how machines through the ages have enabled creativity, not stifled it—and The Uncanny Muse sees no reason why this shouldn't be the case with AI today.

  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Kirkus

      January 1, 2025
      A study of the long, uneasy relationship between art and technology. The rise of ChatGPT and other AI-driven creation tools has spiked anxiety about machines cannibalizing, perhaps even overtaking, human creativity. But as longtime music historian Hajdu (Love for Sale: Pop Music in America, 2016, etc.) points out in this lively book, machinery and art have long been closely intertwined. In the late 1800s automata produced music and drawings, and throughout the 20th century devices emerged as experimental novelties and practical helpmates to artists: Bell Labs explored computer-generated drawing in the 1960s, the Moog synthesizer transformed the texture of rock music, and '80s techno reflected how people "were using machines to produce sounds to stir people to move like components in a machine--a machine of social transformation." Hajdu doesn't make a precise distinction between art created entirely by computers and cases in which humans leverage technology to create art--an AI-generated painting that sold for $432,500 at auction in 2018 is not the same thing as, say, the German synth-rock act Kraftwerk. But Hajdu thoughtfully explores how the arrival of new technology has prompted handwringing. (Though not always: The Hammond B3 keyboard was warmly embraced by Black soul and gospel acts for its efficient evocation of an organ.) "The fear of machines taking over for humans is one of the great constants in the history of technology, and it is equally easy to inflate or dismiss," he writes. A more cohesive thesis about the degree to which concerns are legitimate might offer a path for readers to think about potential and ethical risks of AI and other technologies. But Hajdu is at heart a humanist, and he suggests that the disruptive technologies themselves don't spell doomsday but are, in themselves, works of art. Wide-ranging, thought-provoking music history.

      COPYRIGHT(2025) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      February 1, 2025

      Hadju (Adrianne Geffel: A Fiction), music editor at The Nation, asserts that technology has long assisted inventiveness rather than replaced or combatted it. He traces the interaction of machines--including cameras, drawing instruments, music boxes, player pianos, theremins, electronic drums, and Moog synthesizers--with the visual and auditory arts. Hajdu frames his survey within the historical framework of two women automatons--Zoe, a drawing doll from the 1880s, and the modern AI-DA, an artificial intelligence product. Although Western culture has highlighted the work of white men, Hajdu also points out the contributions of Black people, especially during the height of ragtime and jazz music. He rescues from relative obscurity Ada Lovelace for her work on Babbage's proposed computer and Vaughn De Leath, dubbed the "First Lady of the Radio," for helping to popularize that medium with her versatile singing during the 1920s. Modern industry's cultural influence often democratizes rigidly replicable products. Hajdu opines that, so far, AI shows that action devices operate within human-crafted rules and patterns with the too-frequent biases those origins leave. VERDICT This analytical, historical review should interest readers of pop culture analysis.--Frederick J. Augustyn Jr.

      Copyright 2025 Library Journal, LLC Used with permission.

    • Booklist

      February 25, 2025
      In Love for Sale (2016), music critic Hajdu examined how innovations like wax cylinders, sheet music, the microphone, and digital audio files impacted popular culture and society at large. Here, Hajdu outlines how technological innovations in the creation of art reverberate throughout society. Some purists see creativity as uniquely human, making the use of technology in art's creation a source of great anxiety. But using machines to make art is nothing new; what is a piano if not a machine? Cameras dictate how some artists see the world. Hajdu is full of insights and interesting observations. The introduction of player pianos to peoples' homes made piano lessons nonessential and exposed white listeners to Black music. Original compositions made by modifying piano rolls allowed player pianos to exceed the abilities of pianists. Hajdu covers the ILLIAC computer, which was programmed to create musical composition based on a set of rules; Warhol used commercial- and industrial-art techniques for his creations; TONTO, an offshoot of the Moog Synthesizer, allowed Stevie Wonder to introduce new sounds to pop music. Hajdu concludes with a discussion of artificial intelligence, the latest source of innovation and anxiety.

      COPYRIGHT(2025) Booklist, ALL RIGHTS RESERVED.

Formats

  • Kindle Book
  • OverDrive Read
  • EPUB ebook

Languages

  • English

Loading