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Through extensive interviews with many of Monroe's colleagues, close friends, and other biographers, and a careful rethinking of the literature written about her, Rollyson is able to describe her use of Method acting and her studies with Michael Chekhov and Lee Strasberg, head of the Actors' Studio in New York. The author also analyzes several of Monroe's own drawings, diary notes, and letters that have recently become available. With over thirty black-and-white photographs (some published for the first time), a new foreword, and a new afterword, this volume brings Rollyson's 1986 book up to date.
From this comprehensive, yet critically measured wealth of material, Rollyson offers a distinctive and insightful portrait of Marilyn Monroe, highlighted by new perspectives that depict the central importance of acting to the authentic aspects of her being.